#Robert W. Paul

[iconauta]

Artistic Creation (1901) Walter R. Booth

Artistic Creation is a 1901 film directed by Walter R. Booth and produced by Robert W. Paul . The director, by means of makeup by substitution and multiple exposures, makes an artist's drawings come alive and come out of the picture. For this film, too, Walter R. Booth was inspired by Georges Méliès , who just like Booth had gone from magic tricks to cinematography.

What I am most curious about in this film is that the woman runs away as soon as the artist starts drawing a baby (01:37), the man, on the other hand, seems happy to be a mom.

[miguel-owhora]

omega!batman's the type of guy to capture your attention by letting his pheromones linger in the air, the enticing scent of an omega in near heat making your legs move before you can think.

just to end up in an alley with the darkly cladded hero in the back, with the bottom half of his gear removed. his pussy—plumped and framed by neatly trimmed pubic hair—is soaking wet with his slick, his pretty cock—small yet still noticable—poking out with interest.

naturally, being quiet is in his nature. but the relief he gets with your cock thrusting in and out of his burning cunt even has him being louder than usual. of course in this case, being louder than usual means he's quietly grunting and biting his lips. he has to bite down on his fist when he ends up squirting—fuck, he didn't even know he could do that—around your knot when it catches on his hole.

[devilsrains]

LED ZEPPELIN: THE SONG REMAINS THE SAME (1976)

fantasy sequences

[pedroam-bang]

Goodfellas (1990)

[k-i-l-l-e-r-b-e-e-6-9]

𝔏𝔢𝔡 ℨ𝔢𝔭𝔭𝔢𝔩𝔦𝔫'𝔰 𝔣𝔦𝔯𝔰𝔱 𝔬𝔣𝔣𝔦𝔠𝔦𝔞𝔩 𝔭𝔥𝔬𝔱𝔬𝔰𝔥𝔬𝔬𝔱, 𝔏𝔬𝔫𝔡𝔬𝔫, յգճՑ.

📷 𝔇𝔦𝔠𝔨 𝔅𝔞𝔯𝔫𝔞𝔱𝔱

[politicaldilfs]

Oregon Governor DILFs

Victor Atiyeh, John Kitzhaber, Douglas McKay, Ted Kulongoski, Robert W. Straub, Paul L. Patterson, Earl Snell, Robert D. Holmes, Tom McCall, Mark Hatfield, Neil Goldschmidt

[franklyimissparis]

paul mccartney have a normal relationship with an older man challenge (impossible)

[dubacheryking]

Hello gang important thought occurred to me today

[kulturegroupie]

“Plant was masculine, but beautiful in such an obscenely feminine way.

Page was ethereal, effeminate, pale and fragile.

Bonzo played the drums ferociously, seldom with a bare chest, resembling a fighting gorilla.

John Paul Jones co-ordinated everything and stayed in the shadows.”

— Ellen Sander

[iconauta]

The Automatic Motorist (1911) Walter R. Booth

The Automatic Motorist is a 1911 fantasy film directed by Walter Robert Booth. It is a grand remake of Booth's previous film The Motorist

and which had proved to be a great commercial success. This new version was produced by Charles Urban's Kineto Film. Walter Boot shows off all his arsenal of tricks and special effects, sparing no effort to copy from himself and others, in particular Georges Méliès. At the end of the video we have included a video summary of the scenes and tricks from which Booth seems to have been inspired.

[bi-chimneyy]

...the only cheating sls I will watch are robron, ballum and charity/zoe. if 911 has another cheating sl those characters will very very quickly become my least favourite (I want to say esp if they're queer characters bc 911 has already done all of that, but honestly I like all the straight couples too much as well)

[mariocki]

The Cheap Detective (1978)

"Mr. Peckinpaugh? You look startled."

"Oh, no, it's just that, uh, you look like fourteen other dames that was here the other night."

"Yes, I know. They were my sister."

"Well, that explains the resemblance."

"Not to me. She was adopted."

"Yeah, well, so am I, but I don't look like your sister either."

[nerds-yearbook]

Injured police officer Jesse Mach (Rex Smith) was recruited by the government to fight crime with a secret high tech motorcycle. The show Street Hawk premiered January 4, 1985. ("Pilot", Street Hawk, TV Event)

[lonesomedreamereccentriclover]

Happy Birthday Robert Redford!

[adamwatchesmovies]

Pompeii (2014)

While I didn't enjoy this film, that doesn't mean you won't. No matter what I say, the people involved in this project did it: they actually made a movie. That's something to be applauded. With that established...

Pompeii wants to do for its titular city what Titanic did to the ship. Along the way, it borrows more than a few elements from Ridley Scott’s Gladiator. Sometimes, mixing two seemingly incompatible things works out but you don’t always get Reese’s Peanut Butter Cups, if you know what I mean.

In 79 A.D., Milo (Kit Harrington) is a talented gladiator called “the Celt” by the romans who wiped out his tribe and enslaved him. Brought to Pompeii, he catches the eye of Cassia (Emily Browning) when he helps get her carriage out of the mud. She is returning home, tired of the corruption of Rome and of Senator Quintas Attius Corvus (Kiefer Sutherland), who has been relentlessly pursuing her hand in marriage. While Milo and Cassia both look for a way to escape their worlds, mount Vesuvius looms in the distance, belching more smoke than usual…

This movie assumes you’re stupid, which is much worse than it being stupid itself. Pompeii ominously shows Vesuvius every 10 minutes. In no time, you become exasperated. Take a poll. How many people could even name an Italian volcano besides the who destroyed Pompeii? Who even knows anything about the city besides the way it was destroyed? You want to establish crucial plot points ahead of time but this film overdoes it to the point of comedy. When James Cameron brought us back to the doomed ship, he made the effort to sweep us off our feet. The Heart of the Ocean, lavish sets, stories of ordinary people looking for a better life and above all, the romance. By the time that iceberg showed up, we were so invested in Jack and Rose we'd almost forgotten a disaster was incoming. Paul W.S. Anderson wants to do the same thing. Unfortunately, the clumsy dialogue and feeble story means you never fall for the would-be lovers. Seemingly aware of this, the film instead tries to dump a bucket of action on the screen as a distraction. Are we not entertained? Nope.

The resemblances between Pompeii and Ridley Scott’s epic sword-and-sandal adventure can’t be coincidental. It steals entire scenes and then proceeds to do them so badly you’ll be in stitches. It’s trying so hard to be epic, particularly when lava begins pelting the Roman city and Milo races through the streets, dodging flames, falling debris and, most dangerous of all - Kiefer Sutherland chewing the scenery. Did we even need a villain? All he does is make the whole thing seem contrived. What are the odds the one man Milo swore vengeance upon is in the same town as him on the day the volcano erupts. Not only that, the villain happens to be pursuing the same woman as Milo and with the same passion that burns away common sense. The idea is for the calamity to heighten the tension, for us to desperately cling onto the hope that things will work out. I doubt anyone watching will be kept in suspense.

Considering the films it’s impersonating, Pompeii has the good grace of being mercifully short. Also noteworthy are the special effects - the disaster sequences look great. Otherwise, this whole thing is a write-off whose only purpose would be to be shown as a double-bill with either Titanic or Gladiator to prove once and for all that those films are good. Seeing a cheap knockoff gives you a new appreciation for the original. (On DVD, November 23, 2019)

[drpepper-lovers-blog]

True